and More" because there are four extra songs after the acoustic ones. The sound quality is generally very good.
THE MONKEES BEST OF ZIPPYSHARE TV
All of them come from radio or TV shows, though the first four were performed in front of an audience. The first ten songs make up the acoustic portion of this album. Personally, I prefer a lot of these versions, especially for the songs on her overproduced second album, "Endlessly." They're not always strictly acoustic, since they sometimes have drums, bass, and/or other instruments, but they're much more stripped down compared to the album versions. This album mostly focuses on acoustic versions of songs from her two albums. I've already posted two albums of cover versions she did. She hasn't released any new albums, gone on any tours, and only put out a few songs. She was so traumatized by this that her musical career has barely continued ever since. Then, around 2011, she was drugged, kidnapped, held hostage for many days, and repeatedly raped. I cleaned it up a bit, and removed the song titles, replacing that with the album title I'd chosen.īritish singer Duffy has had a strange music career. However, I found a cover of one of their singles and used that. The band's popularity declined so drastically during this time period that I couldn't find any good color photos for the cover. By the way, note the Crosby, Stills and Nash influence with the covers of "Helplessly Hoping" and "Bluebird." These BBC songs sound great you can't tell they weren't studio tracks instead.
Had they put out an album in 1971 or so, it seems probably those would have been on it. I was a little short of material, so I included four songs that I already posted on the third volume of the band's BBC albums: "Helplessly Hoping," "Bluebird," "Wedding Bells," and "Sweden." These are songs they only did for the BBC. In my opinion, this is also very solid stuff and stands as an impressive album on its own. This album collects the band's songs from their DBMT years that didn't make it on the "Fresh Ear" album I posted. The band petered out after that, although various members restarted the group years later to tour the oldies nostalgia circuit. However, they did get to put out a few singles from 1970 to 1972 while their commercial fortunes continued to decline. As a result, the band's record company never allowed them to record a second album in their new style. But it seems they couldn't shake their Dave Dee, Dozy, Beaky, Mick & Tich past despite the new name, and by 1970 the reputation of their old group was about as uncool as one could get in the music business. I suspect that if they'd been a brand new group, they would have gotten more positive attention and would have been on the upswing. It turns out the band's fortunes continued to decline. But I posted it because I think it's a lost gem that needs to be rediscovered. I posted their album "Fresh Ear," released in 1970 to very small sales compared to the band's hit-filled heyday. Normally, this wouldn't have been of much interest, except it turns out they were really good at it. Instead, they were heavily influenced by Crosby, Stills and Nash, both in their acoustic harmonies mode and rocking mode.
Gone were the simple pop hits written by outsiders. But in 1969, Dave Dee left the group, the rest of them went with the new name DBMT, and they drastically changed their sound. Recently, I posted an album by DBMT, a group that was essentially the 1960s British pop rock group Dave Dee, Dozy, Beaky, Mick & Tich.
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